Also, a study of the techniques that are prevalent in the Celtic music traditions will certainly help you advance your skill as a flatpicker. Even if you don’t specifically play Celtic music, you are going to run across many of these tunes in a bluegrass jam. Several of our columnists played in bands that prominently featured Celtic Music (specifically, John McGann, Craig Vance, and Kathy Barwick) and often contributed tunes from that tradition. The majority of our regular columnists, and some of our feature artists, provided tunes from the Celtic traditions during the years that we published the magazine, and in Volume 8, Number 3 we provided a special Celtic Music issue. Since many of the bluegrass songs and fiddle tunes that we flatpickers love to play can be traced back to Irish, Scottish, or English roots, we thought it would be interesting to provide an archival compilation that focused on music from these countries and traditions. For our purpose the term “Celtic Music” will cover traditional music that has its roots in either England, Ireland, Scotland, or the British Isles. The terms “Celtic”and “Celtic Music” come to have various meanings to people. Here, in this book, we have included the best Celtic Tunes. This book is one in a series that provides every article that was published in Flatpicking Guitar Magazine about a particular topic or genre.
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